The best movies from the 70s
An essential list

After the collapse of the old studio system, a group of directors took control, like how Dennis Hopper's 'Easy Riders' or Scorsese's 'Raging Bull' set the pace. And yes, they knew what they were doing.
The Deer Hunter

Movies like 'The Deer Hunter' or 'Apocalypse Now' spewed the collective trauma of a war they deemed pointless into the audience's face. They were not just movies; they were moral whiplashes.
Taxi Driver

'Taxi Driver' needs no introduction. Travis Bickle, a dirty mirror of a rotten America, became a symbol of urban alienation. And De Niro... well, simply deranged.
Jaws

'Jaws' taught that a shark could ruin summer vacations... and save commercial cinema. It invented the blockbuster and kept half the planet out of the sea for weeks.
A Clockwork Orange

'A Clockwork Orange' arrived to shock with milk, Beethoven, and ultraviolence. Kubrick showed that British dystopia could be as charming as it was nauseating.
The Exorcist

Psychological horror flourished with 'The Exorcist', redefining fear with green vomit, childish blasphemies, and sweaty priests. The demon was never so box-office friendly.
The Godfather

'The Godfather' (I and II) not only portrayed crime as a family art but also turned Marlon Brando into a myth of vocal slowness. Cult cinema with bullets and pasta.
Star Wars

With 'Star Wars', the 70s ended in another galaxy. Luke, Vader, and the Wookies started the era of endless franchises. Merchandising, Jedi, and lightsabers that go “whoom”.
Apocalypse Now

Francis Ford Coppola directed again with visionary madness in 'Apocalypse Now'. Boats in the jungle, Wagner, and a neckless Brando. A Vietnam that feels like the most realistic nightmare.
Alien

'Alien' mixed science fiction with claustrophobic horror. Ridley Scott created the most iconic creature in cinema while shaking up an entire crew with no open hatches.
The Conversation

'The Conversation' and 'All the President’s Men' turned surveillance and journalism into methodical nightmares. Watergate became a plot, and Gene Hackman stopped trusting anyone.
Mad Max

'Mad Max' brought the desert, motorized violence, and a pre-preacher Mel Gibson. Australian cinema with a scent of gasoline and a road apocalypse.
Jeanne Dielman

'Jeanne Dielman' by Chantal Akerman showed that the routine of a housewife could also be cinema. Three hours of cooking, cleaning, and fleeting encounters with men. Radical minimalism. Photo: Olympic Films
The Rocky Horror Picture Show

'Cabaret' and 'The Rocky Horror Picture Show' filled the seventh art with sequins and ambiguity. Between Hitler and corsets, the spectacle was pure delirium.